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			There are always rumors. There's always innuendo. There's no fence, 
			dike, Maginot Line or gee-whiz, new, spun-from-spidersilk fabric 
			that can hold back the current of words that constantly abrades your 
			reputation, carrying off particles of goodwill that you've amassed 
			over the course of a lifetime. How people see you is something that 
			can never be assured. Or
			insured.
 Take the example of one Mrs. Nora Thump, lifelong resident of 
			Hatcher Street in a bedroom community not terribly distant from 
			Albany, New York. A humble Methodist, she threw herself year after 
			year, decade after decade, into bake sales, rummage sales, scrip and 
			choir. In the local school system, tales abound of teachers and 
			principals (even a hapless janitor) who, one way or another, crossed 
			her and earned for themselves a righteous "Thumping."
 
 Mrs. Thump became, over time, a bit of a local celebrity because of 
			her talent for changing the status quo with one or two well-placed 
			"Thumps." She was feted by the Rotarians; the Mayor fawned over her; 
			the local diner showed its appreciation by naming a sandwich after 
			her. An aspiring local artist asked her to sit for a portrait. The 
			town's website from the period (available in the library, along with 
			the inept portrait) crowed to prospective visitors: "Ours is a town 
			that believes a good 'Thumping' can cure any bad behavior, that a 
			timely 'Thump' often brings sunshine to places laboring in a pall of 
			misery."
 
 All of which was very well, until Mrs. Nora Thump became Widow Thump 
			and began to lose her mind. A woman who had never been enthusiastic 
			about modern music, slowly turned into a violent, uncontrollable 
			animal in its presence. She was all too aware of having been 
			once-upon-a-time valued for her "thumping," and she set out assure 
			the permanence of her status.
 
 Hatcher Street was narrow and lined with neat houses. In the summer 
			there were flowers in flowerboxes; in the winter the sidewalks were 
			always well-shovelled and salted. The Thumps' house was painted 
			periwinkle, and boasted a pleasant porch for sitting, with a swing 
			on chains that faced the road. Widow Thump sat on that swing for 
			hours every day in the summer, watching and waiting, a heavy stone 
			in her right hand. Whenever anyone drove by playing music too 
			loudly, she let them have it--Thump! Worse, she wouldn't stop 
			throwing. Even worse: she was deadly accurate--the Navy SEAL of 
			senile rock hurlers. She even beaned joggers and bicyclists who wore 
			headphones, despite being unable to hear their music. "I know what 
			you're listening to!" she screamed. The lucky ones were able to get 
			up and run away.
 
 This is why for many years, people passing through Widow Thump's 
			little town were asked to pay a small toll at the entrance to 
			Hatcher Street. It was a kind of temporary car insurance, the proceeds 
			of which paid restitution to those injured by the widow, whether in 
			body, spirit or property.
 
 Now that she's gone, of course, the surplus is spent caring for 
			Thump Park, which is dedicated to the cause of "Judicious Thumping" 
			according to the plaque affixed to the drinking fountain.
 Copyright 
			and all rights reserved by John Crossman 2010 |