There are always rumors. There's always innuendo. There's no fence,
dike, Maginot Line or gee-whiz, new, spun-from-spidersilk fabric
that can hold back the current of words that constantly abrades your
reputation, carrying off particles of goodwill that you've amassed
over the course of a lifetime. How people see you is something that
can never be assured. Or
insured.
Take the example of one Mrs. Nora Thump, lifelong resident of
Hatcher Street in a bedroom community not terribly distant from
Albany, New York. A humble Methodist, she threw herself year after
year, decade after decade, into bake sales, rummage sales, scrip and
choir. In the local school system, tales abound of teachers and
principals (even a hapless janitor) who, one way or another, crossed
her and earned for themselves a righteous "Thumping."
Mrs. Thump became, over time, a bit of a local celebrity because of
her talent for changing the status quo with one or two well-placed
"Thumps." She was feted by the Rotarians; the Mayor fawned over her;
the local diner showed its appreciation by naming a sandwich after
her. An aspiring local artist asked her to sit for a portrait. The
town's website from the period (available in the library, along with
the inept portrait) crowed to prospective visitors: "Ours is a town
that believes a good 'Thumping' can cure any bad behavior, that a
timely 'Thump' often brings sunshine to places laboring in a pall of
misery."
All of which was very well, until Mrs. Nora Thump became Widow Thump
and began to lose her mind. A woman who had never been enthusiastic
about modern music, slowly turned into a violent, uncontrollable
animal in its presence. She was all too aware of having been
once-upon-a-time valued for her "thumping," and she set out assure
the permanence of her status.
Hatcher Street was narrow and lined with neat houses. In the summer
there were flowers in flowerboxes; in the winter the sidewalks were
always well-shovelled and salted. The Thumps' house was painted
periwinkle, and boasted a pleasant porch for sitting, with a swing
on chains that faced the road. Widow Thump sat on that swing for
hours every day in the summer, watching and waiting, a heavy stone
in her right hand. Whenever anyone drove by playing music too
loudly, she let them have it--Thump! Worse, she wouldn't stop
throwing. Even worse: she was deadly accurate--the Navy SEAL of
senile rock hurlers. She even beaned joggers and bicyclists who wore
headphones, despite being unable to hear their music. "I know what
you're listening to!" she screamed. The lucky ones were able to get
up and run away.
This is why for many years, people passing through Widow Thump's
little town were asked to pay a small toll at the entrance to
Hatcher Street. It was a kind of temporary car insurance, the proceeds
of which paid restitution to those injured by the widow, whether in
body, spirit or property.
Now that she's gone, of course, the surplus is spent caring for
Thump Park, which is dedicated to the cause of "Judicious Thumping"
according to the plaque affixed to the drinking fountain.
Copyright
and all rights reserved by John Crossman 2010 |